Okay so I had my pitch meeting. It went better than I thought it would bearing in mind my first two pitches never even made it out the bag as her first words were 'I don't do cop shows' Yoiiiiks!
Fortunately Project X seemed to hit the spot. I left the Bible with her. It will now either die an immediate death, struggle up the chain until some one takes pity and finally smothers it with a pillow or cling on like a whelk on a rock in a North Atlantic gale.
The odds are heavily on options one and two. But since when did odds bother a writer? If you thought about them too long you wouldn't even switch on your computer. I don't do the lottery. I figure I need all my luck for the writing process. But consider this, every pro writer out there once started with nothing but an idea and a hell of a lot of hope.
Hope is what keeps the writer going. Hope he sells something. Hope he'll be commissioned. Hope his ideas don't suck. Hope he'll create something he's actually really happy with. Hope a director, actor or producer isn't going to screw it up. Hope that as a writer you may actually be appreciated.
Because make no mistake, there are plenty in the Biz who look on writers as a neccessary evil. We're the Castor oil to their indigestion. I've worked on a number of different series, and rarely do you ever lose the feeling that you are very much an expendable item. Hell they could make a call tomorrow and replace you with any number of eager fresh faces. Writers in general don't have a lot of power. It's just a fact.
Unless you come up with a sure fire winner idea and have several producers competing for it. Then you can screw 'em!
I've never been in that position. As a result I've had to settle for option agreements that I wasn't entirely happy with, like the writing fee, no guarantee on number of episodes I'd write, reversion payments etc.
One day I really would like to be able to screw 'em. That might not happen, but there is always hope.
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3 years ago