So Josh Friedman is posting again. He has an interesting take on the studio execs driving past the pickets and flipping them the finger.
Essentially saying it's refreshing to get a full frontal Fuck You rather than the earnest butt fuck they normally engage in .
Personaly I hope the writers are making note of who these assholes are, and come payback time, which will come, when these same finger flippers are blowing smoke up writers' asses, and claiming mistaken identity, the writer gives a long slow finger and takes the project down the street.
But at least it shows the writer what some of these execs actually think about them. I say some, because there are also execs who are very supportive of writers, and if had any say in the matter would offer a fair deal.
But for those execs for whom it is all about the deal, and all about the money you can see why they are pissed off at writers. Writers and actors are the two elements that they have least control over. They don't like that. It is a variable that is difficult to quantify. Talent always is. They understand balance sheets and budgets okay, it is the marker they cling to, and this strike is screwing that up for them. Advertisers are getting ansty. Distribution companies are wondering about standard of product. Foreign TV networks who have shelled out for Lost, and Heroes and CSI are saying WTF?
Writers and actors are the difficult kids, the nut jobs of the industry. If they could do away with them that would be fantastic.
But they can't. So HA!
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11 years ago
1 comment:
The inevitable result of hiring folks to be creative, I guess...
"I hired them writers to be innovative and think outside the box, and now I can't get them to agree with me all the time, goddamnit!"
J
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