So I'm about 10 pages away from finishing the script. It's an hour long part one of two that can then be spun into a series.
And I realise that the end of this part, which involves the death of the main suspect, kinda inadvertently leads a little too much to the identity of the actual killer in the audience's mind. That gives me a couple of choices. I either muddy the waters a little more in the build up to the death, or horror of horrors, I change the identity of the killer to another character entirely. One even less likely.
I've decided on the horror of horrors route. Because the more I thought about it the more I thought not only can I make it work, but I can make it work better than the original idea. It's going to set me back a few days but as an old time HW writer told an exec when pressed for the script, 'You can have it Wednesday or you can have it good '
Embrace the bendy writing. Nothing should be set in stone. Not even the plot. It took me almost the whole script to realise I was selling it short. It happens.
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5 years ago