In Media Guardian, Owen Gibson talks to TV writer, Tony Jordan.
Sometimes, says Jordan, you have to wait for the climate to change before a show can get made. "I was born for this era. I'm 50 next week, but I wish I was 25 again. Because I was born for this era of high-concept, bold ideas. The six ideas I pitched this week I would never have got made or even got through the door before," he enthuses.
Well I hope that's true. Okay I know a new prodco needs a steady earner, so I can see the sense in Red Planet pushing Holby Blue as a flagship show. And okay new soap Echo Beach as a back up. And new drama Moving Wallpaper, a show about behind the scenes on Echo Beach as ........ well I'm not really sure what that is. It's a bit like Aaron Sorkin doing a behind the scenes drama about the people making the behind the scenes drama of Studio 60. Out of the three I would perhaps count that as ''bold'' because I have absolutely no idea whether it will be a complete bomb or a hit. I have reservations but it will be down to execution in the end.
But serious congrats to Tony Jordan on his fecundity. Pitching six bold, high concept ideas in a week is pretty good going. If they are being seriously considered that must be good news for us all. I just hope they weren't Holby FireBrigade, Holby Postmen, Holby LateNight, Holby...........
I kid. Tony Jordan is a very savvy guy. We all know that bold high concept isn't exactly a recurring feature of current UK TV. So what he's really saying here is - the times they are a changing. Or - in coded message to execs - the times they better start a changing and you better start a listening.
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2 comments:
Hello,
I was just wondering what your opinion on agents were. Do you think it is better for a writer to be with a big agency or a 'boutique'agency? There just seem to be so many out there, I mean who in your opinion would be the top ten agencies in London who could actually get their clients regular work?
cp
CP in my opinion there are no agents who get their clients regular work. There are writers who get regular work and agents who negotiate the fee.
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